Pushpanjali
Ragam – Jog
Thalam – Adi
Composer – Madurai R Muralidharan
The essence of “Pushpanjali,” particularly in the context of Madurai Muralidharan’s composition, revolves around devotion and the offering of flowers to the divine.
“Pushpanjali” translates to “flower offering,” symbolizing the act of presenting flowers to deities as a gesture of reverence and love. It embodies the spirit of devotion and richness of classical music. The act of singing or performing “Pushpanjali” serves as a medium for spiritual connection, inviting listeners to participate in the offering and experience a sense of divine presence.
Saumya will conclude her prayers of devotion with an interpretation of the Jain mahamantra, the Namokar Mantra. The “Namokar mantra” is a revered chant in Jainism with deep spiritual significance. It begins with a heartfelt salutation to the five supreme beings: Arihants, Siddhas, Acharyas, and Upadhyayas, acknowledging their spiritual achievements and guidance.
Jathiswaram
Ragam – Saveri
Talam – Rupakam
Composer – Tanjore Quartet
“Saveri Jathiswaram” is a classical dance piece performed in Bharatanatyam, set in the emotive Raga Saveri, which conveys devotion and grace. This composition combines rhythmic patterns (jathis) and melodic phrases (swaras), showcasing intricate rhythms that highlight the dancer’s grace, technical skill and understanding of rhythm and music.
“Saveri Jathiswaram” beautifully represents the intricate relationship between music, rhythm, and movement, enabling dancers to connect with their artistry and engage the audience.
Tisra Alarippu
Tisra Alarippu – means the blossoming of a dancer. This dance item is composed of basic steps. It contains no Abhinaya or story telling. Alarippu is entirely based on rhythm. This dance has lots of neck and eye movements coordinating with the rhythm.
Varnam
Ragam – Thilang
Thalami – Adi
Composed by Sri Madhvacharya, the13th-century philosopher.
Varnam is considered the central piece in a Bharatanatyam Arangetram. This dance has footwork in accordance with the rhythm as well as facial expression in accordance with the meaning of the lyrics.
The Dvadasha Stotra is a series of 12 stotras, or religious hymns,
The ten incarnations of Lord Narayana, known as the Dashavatara, illustrate his divine presence in various forms to restore cosmic order.
These incarnations are:
Matsya (the Fish) saved humanity from a great flood.
Kurma (the Tortoise) supported Mount Mandara during the churning of the ocean.
Varaha (the Boar) rescued the Earth from the demon Hiranyaksha.
Narasimha (the Man-Lion) protected his devotee Prahlada by defeating the demon Hiranyakashipu.
Vamana (the Dwarf) took three steps to reclaim the universe from King Bali.
Parashurama (the Warrior with an Axe) eliminated corrupt Kshatriyas to restore dharma.
Rama(the Prince of Ayodhya) epitomizes virtue and righteousness, defeating the demon king Ravana.
Krishna (the Divine Cowherd) is celebrated for his childhood exploits and teachings, especially in the Bhagavad Gita.
Buddha (the Enlightened One) is believed by some traditions to represent compassion and enlightenment.
Kalki (the Future Warrior) is prophesied to appear at the end of the current age to restore righteousness.
These avatars demonstrate Lord Narayana’s commitment to preserving dharma and protecting the universe from chaos.
Sriramachandra Tulasidas Bhajan
Ragam – Yaman Kalyani
Talam – Mishra Chapu
The “Sriramachandra Tulasidas Bhajan” refers to devotional songs dedicated to Lord Rama, composed by the revered poet-saint Tulsidas in the 16th century. Tulsidas, a significant figure in Hindi literature, is best known for his epic poem “Ramcharitmanas,” which narrates the life and virtues of Lord Rama.
Historical Context: Tulsidas was born in 1532 in a Brahmin family in Uttar Pradesh, India. His profound devotion to Lord Rama was inspired by his experiences and spiritual awakening. Tulsidas’s works emphasize bhakti (devotion) and moral values, making them accessible to the common people.
Themes of the song is Devotion and Surrender: The bhajans express deep devotion and the surrender of the self to Lord Rama. They highlight the importance of faith and the transformative power of divine love. Tulsidas’s writings often reflect the ideals of dharma (righteousness) and ethical living. His bhajans encourage followers to embody the virtues exemplified by Rama.
Tulsidas’s legacy continues to inspire millions, making his bhajans a cherished part of Indian spiritual and cultural life. Through these songs, devotees connect with the divine, fostering a sense of community and spiritual upliftment.
Bho Shambo
Ragam – Revathi
Talam -Adi
Composed by Swami Dayanada Saraswathi
“Bho Shambo” is a powerful devotional song dedicated to Lord Shiva, expressing deep reverence and devotion. It begins with an invocation to Shiva, highlighting his attributes as the auspicious “Shambo” and emphasizing his self-existent nature as “Swayambo.
” The song celebrates Shiva’s duality—his roles as creator, protector, and destroyer—while capturing both his fearsome and benevolent qualities.
The repetitive chanting creates a meditative atmosphere, allowing devotees to connect deeply with the divine and reinforcing themes of surrender and devotion. It invites listeners to seek Shiva’s grace for inner transformation and spiritual awakening.
“Bho Shambo” fosters a profound connection with the divine and encourages reflection on one’s spiritual journey.
Brindavani Thillana
Ragam: Brindavani Raga
Talam: Adi
Composer Dr. M. Balamurali Krishna,
The Thillana is a vibrant piece in South Indian Carnatic music, often performed to conclude concerts and is a prominent feature in Bharatanatyam. It is a nritta segment characterized by graceful movements, sculptural poses, rapid footwork, and intricate rhythms. Typically, it is a Carnatic composition marked by repetitive melodies and complex percussion accompaniment, culminating in a fast-paced rhythm that captivates the audience.
This composition extols Krishna, celebrating his enchanting beauty and expressing the composer’s deep longing for his divine presence. The lyrics convey a desire for complete union with Krishna, akin to milk merging seamlessly with water, while also describing the enchanting melody of Krishna’s flute, which fills the universe and brings joy to all beings.
Sivan Mangalam
Ragam – Kurinji
Talam – Trisra nata
Talam: Adi
Composer – Dr. M Balamurali krishna Mangalam
In English, Mangalam can be translated to auspiciousness. Mangalam emphasizes the importance of gratitude and giving back. Practicing gratitude and expressing appreciation for the blessings in our lives can attract even more positivity and abundance. The dancer gives gratitude to the Lord for their blessings and thanks to all present during the performance.